The Final Frontier of Drive

From the whisper of a pristine clean boost to the roar of a cranked tube stack, and into the wilds of splintered glitch fuzz—ODOD isn't just an overdrive. It's a sonic universe in a box.

Engineered for the tonal seeker who refuses to be limited, ODOD redefines versatility. Its revolutionary custom multi-stage circuitry doesn't just clip a signal; it transforms it, modeling the harmonic response of tube amplifiers, classic pedals, and broken circuits you've only dreamed of.

For Guitarists: Find your voice. ODOD delivers everything from transparent, touch-sensitive boost that makes your amp come alive, to vintage blues breaks, modern high-gain saturation, and edgy splat fuzz.

For Bassists: Command the low end with authority. We have made sure that all the controls are there to ensure your grit never clouds the fundamentals, delivering everything from a subtle hair of warmth to a grinding, synth-like overdrive that cuts through any mix.

For Producers: Unleash the harmonics of your mix. The ultra high headroom and smoothly saturating base makes ODOD work well with any input sources, whether that's your drum bus, a synth pad, or anything in between.

Description

ODOD is the culmination of four years of engineering. Its main saturation stage is based on a circuit never seen before, that has been designed to have the smoothest response, although more aggressive (and even glitchy/fuzzy when pushed) drive is available through the diode switch.

Most other pedals have some hardwired tone coloring in their clipping circuits followed by some sort of tone control. The coloring usually involves cutting bass for clarity/tightness and cutting treble for warmth. ODOD has a different approach: it gives you full control of the internal coloring via LPF and HPF controls. These controls give you much wider ranges of sounds than usually considered reasonable—who are we to judge your taste in tones?

Bass players will be happy to find a dry knob to retain their precious low end. However, it doesn't just simply add the fully dry signal to the mix; it blends it in the middle of the circuit in a way that it still gets affected by the LPF control, which results in a more natural blend. Guitar players also benefit from this: it allows for emulating classic overdrives and even clean/treble boosts.

The smooth base with massive headroom combined with diode grit and versatile tone controls with unlimited gain provides infinite sound possibilities to any rig imaginable. From vintage low-output Strats to modern humbuckers, from a Jazz Bass to an active StingRay, through any amplifier—there are sounds to be explored for everyone.